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Philomel (Babbitt) : ウィキペディア英語版 | Philomel (Babbitt)
''Philomel'', a serial composition composed in 1964, combines synthesizer with both live and recorded soprano voice. It is Milton Babbitt’s best-known work and was planned as a piece for performance at the Metropolitan Museum of Art, funded by the Ford Foundation and commissioned for soprano Bethany Beardslee. Babbitt created ''Philomel'' in the Columbia-Princeton Electronic Music Center, of which he was a founding member.〔Gross, Jason. ("OHM-the Early Gurus of Electronic Music." ) Perfect Sound Forever. 12 February 2008.〕 == Synopsis == The three sections of the piece are based on Ovid’s myth of Philomela, a maiden without the capability of speech, her escape from King Tereus, and her transformation into a nightingale. In the second section, John Hollander, the librettist, has Philomel communicate with some of the inhabitants of the woods in echo verse. In fact, Hollander had written a book on Echo Poetry, so the section is written not in straight echo but in very elaborate and intricate poetry. The third section is a series of five arias where Philomel finally regains her voice and sings about her life.〔
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